I am very interested in what artists are doing today. Jenny Brosinski is new to me but her way of working resonates with me and how I often feel when creating a painting. The act of destroying what one has created only to see how it can be transformed when one breaks free from controlling the work has always been fascinating to me. To read about Jenny Brosinski click here.
The Triumph of Death1562 - 1563. Oil on panel. Room 025
In this moral work, the triumph of Death over mundane things is symbolized by a large army of skeletons razing the Earth. The background is a barren landscape in which scenes of destruction are still taking place. In the foreground, Death leads his armies from his reddish horse, destroying the world of the living. The latter are led to an enormous coffin with no hope for salvation. All of the social institutions are included in this composition and neither power nor devotion can save them. Some attempt to struggle against their dark destiny while others are resigned to their fate. Only a pair of lovers, at the lower right, remains outside the future they too will have to suffer.
FollowA pioneer of abstract art in England, Ben Nicholson’s dedication to Modernism was profound. Though he began painting traditional still lifes and landscapes in England, an early-career visit to Paris and introduction to Cubism drastically altered the course of his career. Nicholson's exposure to Pablo Picasso’s work inspired him to incorporate abstract elements into his compositions, and soon to abandon representational art altogether. His later friendships with Georges Braque and Piet Mondrian taught Nicholson to paint with geometric lines (which he soon translated into relief carving.) At the rise of WWII, Nicholson moved to Cromwell, England, where he established the St. Ives School for the abstract movement. Shortly after and along with Russian sculptor Naum Gabo, Nicholson published a Constructivist manifesto, after which he was praised for bringing the movement to London.
Claude Monet was known as the first impressionist painter. In this scene I especially like the bird on the gate. I have always loved birds for their freedom, the wonderful songs and colors. I am painting a series with a bird theme but after looking at this painting and how the viewer's eye goes to the tiny bird surrounded by the beautiful lights and shadows I may re-think how to go about painting my bird series.
This is just one of Monet's winter paintings:The Magpie by Claude Monet (1868-69)
Monet was a master of the winter scene – he painted more than 100 of them, and when Edouard Manet saw the Impressionist’s snowscapes he abandoned any effort to make his own. This is Monet’s largest winter painting, depicting a single black bird on a fence in Etretat – but what’s most thrilling about the work is the shadows on the snow, done not in black but in a convention-shocking blue.
Pieter Bruegel, The Harvesters
To read about this painting by Bruegel, click here.
Vincent van Gogh was a post-Impressionist painter whose work — notable for its beauty, emotion and color — highly influenced 20th-century art. He struggled with mental illness and remained poor and virtually unknown throughout his life. This painting is "The Mulberry Tree." To read more about Van Gogh click here.
The story of global modernism is incomplete without Ibrahim El-Salahi (b.1930). Beginning his painting studies in Khartoum in the 1950s, he travelled to London and attended the Slade School of Fine Art, returning to Sudan in 1959. Appointed undersecretary for culture under the Jaafar Nimeiri regime, he was wrongly accused of "anti- government activities" and was imprisoned there in 1975 (where, to avoid the guards’ attention, he drew on small pieces of paper that he buried in the sand). Once released, he moved to Qatar in 1977 where he established a culture ministry. In 1998 he returned to England, settling in Oxford. Throughout this itinerant and strenuous life, El-Salahi freely folded Islamic, African, Arab and Western traditions into his paintings and drawings. The Tree series takes its inspiration from the Haraz tree, which grows along the Nile. For El-Salahi, this tree typifies the Sudanese character, since it flourishes in the dry season and loses its leaves in the wet. The rigidity of vertical lines is softened by the organic horizontal forms and bands of colour that seem to float, smoke-like, across the surface. As El-Salahi summarized, "There is no painting without drawing and there is no shape without line ... in the end all images can be reduced to lines." Click here for more about this artist.
Art was deeply spiritual for Kandinsky and music was integral to many of his works. He was inspired by color and believed he could convey emotions through it. Der Blaue Reiter (The Blue Rider) was a group of artists who needed to transcend the ordinary by pursuing the spiritual value of art. Wassily Kandinsky and Franz Marc were the theoretical centers of the group, which included a number of Russian immigrants and native Germans. Click here to read more about Kandinsky. The painting below is called Black Lines done in 1913.
A colorist and dreamer Paul Gauguin paintings are like beautiful impossible colorful dreams. Read more about this painting he did in the 19th century by clicking here. The title is After the Sermon.
I think I am finally understanding what it means to be a painter. Brice Marden has known for a long time. His use of line is the primary thing. To read about him click here.